Comic Life is great for sharing those funny little moments from school, in the office, or while on worldwide progressive-rock-legends tours.
Robert Fripp and Tony Levin have been sharing the day-to-day stories of touring within one of the most influential prog rock bands - on King Crimson’s 40th Anniversary Tour.
Ever wished you had the fun of Comic Life handy at all times? Ever been out at a party, family gathering or on public transport and wished you could add your 'comic touch' to a photo? Now you can!
We're giggling with glee to announce Comic Touch for iPhone and iPod Touch. Add various speech balloons and captions to your photos. Choose a fun special effect to warp and bend your family and friends, then email the results to them!
'Chocolate & Chat: Writing for Teens and Young Adults’ tour!
plasq is proud to announce that we are sponsoring authors
James McCann and
kc dyer on their 'Chocolate & Chat: Writing for Teens and Young Adults’ tour.
The tour will go through Western Canadian Rocky Mountains from July 7-15th, 2008, with stops in Banff, Calgary, Red Deer, Cochrane, Kamloops, Salmon Arm and Kelowna. Click here for tour dates.
If you live nearby make sure you go along and say "Hi" for us! You may also enter a draw to win a copy of Comic Life Magiq or Comic Life Deluxe at each stop!
You can follow the authors travels on their websites - James McCann and kc dyer - where they will be doing a comic for each stop when they have a chance, using - you guessed it - Comic Life!
Cranium Comics has recently launched their first four color comic, Brawn #1.
"I used Comic Life on my Mac exclusively to lay out the storyboards, then later when I created and colored all 24 pages of the issue," recounted Anthony Rezendes, the owner of Cranium Comics and co-creator of Brawn.
The comic 'Brawn' focuses on a dockworker named Sam Ross who was reborn as the hero "Brawn" after he was nearly killed in a drunk driving accident.
"Being an illustrator, it saved me quite a bit of time from having to lay all the text bubbles out manually. It made the process of actually creating the comic that much more enjoyable," Mr. Rezendes added.
We think this comic is great! So check out 'Brawn' on the Cranium Comics site or read the first 5 pages on our Comic Life gallery.
Re:Mac and Pc - 2008/03/25 06:13No worries..! Ok, quite bad to hear the news fot the audio unit that I mentioned, cause it's really amazing. Anyway, a have a couple of last(I hope..) questions. First of all, as long for the latency, it depends on the soundcards that I use on each system and their settings- did I got it right? On my mac I have a firewire soundcard (with low latency etc) but on the pc I run Live with the onboard motherboard soundcard. So I guess the latency that I see when I play is because of that..? Which also means that I have to get a low latency soundcard connected to my Pc too..? Secondly, I found another vst for my Pc that seems to do a similar job to the Audio Unit that I mentioned for my Mac (basically it's a rythmic gated vst). My problem is how do I sync its performance with Logic (running in my mac). I mean that, to run exactly on time with Logic (I thought to put the same tempo on Logic and Live, but I think there is a few difference, for example 124 tempo isn't exactly the same 124 for both progrmmas, and therefore using this vst runs out of time somehow... I dont know if I am clear Anyway hope you got what I mean... Huge thanks for once more!
No prob, nice if I can offer at least a bit of support! What you try to do is quite advanced and I haven't done anything similar. Hopefully someone else who is reading this would have some more experience.
But let's start with latency. Yes, total latency can be figured out when you calculate together both system latencies, plugin latencies, connection latencies and WH2 latency.
I assume that you use Windows WDM driver in your PC? Pls, check out free ASIO4ALL driver (www.asio4all.com) if you could use it for lowering your PC latency without making any HW investment? I have used ASIO4ALL when using my recording laptop as a "effect unit via WH2" for my DAW during mixing. Works well even with laptop's integrated soundcard, so I doesn't need to bring in my Firewire interfaces from recording room for mixing.
Your second question is challenging. WH2 doesn't transmit any MIDI information, so it cannot be used for syncronization of two systems. It doesn't transmit any clock and/or project location data, only audio streams. So for having two systems in MIDI synch you should have separate MIDI cables for synch or perhaps you could use some sort of "MIDI over ethernet" solution, since you already have working ethernet connection for Wormhole2.
